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NAZARIO SAURO SUBMARINE – Italy
 

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Built in the Fincantieri shipyards and launched in 1976, the Nazario Sauro submarine was retired in 2005 after covering a total distance of 111,875 miles with its 51-man crew. Renovated at the same shipyards, it is now enjoying a second lease of life at the heart of Costa Edutainment’s exhibition and on-shore pre-show at “Galata Museo del Mare” - a project with a total investment of €2.4 million. Before boarding the sub, visitors center the interactive pre-show in the harbour-side museum, designed by director Pierangelo Campodonico. This enables them to understand the hardships of a submariner’s life, try their skills at underwater and surface navigation and even earn a submariner certificate.

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The company charged with bringing the submarine to life, installing a multimedia system in the restricted space at its disposal, was IBR Sistemi located in Genova, Claudio Donato explains the brief his firm received: “There were several fundamental aspects to be taken into consideration: audio, power and IT network cable runs had to be completely invisible, as did the loudspeaker enclosures (14 Audeo 106 BK two-way 50W enclosures and two Ambit SB 110  150W subwoofers). As well as being out of sight, these also had be positioned in such a way as to give visitors the impression of being surrounded by the crew of a fully operational sub. All this had to be planned from the drawingboard stage in such a way as to simplify and facilitate control and maintenance work to the utmost”. The installation’s main aim was to present the submarine as if it was perfectly operational, enabling visitors to feel part of an exciting, historically accurate experience. As well as running in the correct operating sequences, the sounds of engines, motors and apparatus also had to take into consideration visitors’ movements onboard. A custom electronic interface enables software distributed over three PCs to use the signals received from the proximity sensors distributed along the visit route to trigger synchronised audio and video feeds accordingly. A central PC in the sub’s control room enables all the system’s hardware to be switched on and off or supervised, displays any error messages and runs an auto-reset in the event of staff not taking the appropriate action. Donato adds: “Visitors returning to the sub will not find the experience repetitive, as a considerable number of operational simulations are available and visitors have access to only a small part of the multimedia content on each visit: the combinations of the various zones are run in a coherent but never identical manner. For example, the interactive intercoms have a library of messages and give visitors orders to which they have to reply according to their position”.

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Visitors board the sub in groups of 36 via a stairway installed by Fincantieri shipyards. This provides access to the first zone: the electrical control room. IBR’s Lucio Barbucci continues: “This area is fitted with a subwoofer, two enclosures and an interactive intercom. The room hosting the pumps used to control the ballast tanks is located below the motor room and, although not open to visitors, can be viewed through a grille in the floor, through which the noise of the pumps (reproduced by another Ecler enclosure) is heard”. The pump room hosts a rack containing an Ecler AMI2-70 amplified mixer with two mic/stereo line input channels, plus three Ecler MPA series multichannel amplifiers: an MPA6-80 six-channel unit, an MPA4-150 four-channel model and an MPA6-150 six-channel power amp. Another rack hosts the PCs that control the audio signals fed throughout the submarine, according to the status of the proximity sensors distributed along the visit route through the submarine and the electronic interfaces between the PCs, sensors and actuators. Barbucci continues: “The propeller shaft/electric motor room is not accessible to visitors, but it is visible through the access door, through which another enclosure hidden in the electric motor reproduces the changing noise level and tone of the engine according to crew control. The diesel engine room hosts the engines used to charge the submarine’s batteries: visitors pass along a narrow gangway between the two banks of engines along the left and right of the room and four enclosures hidden in the engine banks reproduce sounds of the start-up and running of the engine according to visitor traffic”. Located in the centre of the submarine are the non-commissioned officers’ quarters and the radio shack. The door of the latter is closed, but visitors can hear radio and telegraph communications with other craft (and interference), via another Audeo 106BK in the room.

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The Ecler equipment installed is:
  • 1 x MPA 6-80 (Multichannel amplifier)
  • 1 x MPA 4-150 (Multichannel amplifier)
  • 1 x MPA 6-150 (Multichannel amplifier)
  • 1 x AMI 2-70R (Preamplifier + stereo amplifier)
  • 14 x AUDEO 106 BK (Surface mount loudspeaker)
  • 2 x AMBIT SB110 (Surface mount loudspeaker)
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